In 1991when Mr
Chris Oputa started Studio 24, it was not out of love of photography but of a need
to provide him with what he calls basic money, that is, money for food,
shelter, and clothing. He was not even a photographer. He had studied Chemical
Engineering at Lagos State University (LASU) and at the time practised as a
procurement specialist but had come into a difficult period in his business.
As a procurement
specialist, he was an intermediary between foreign manufacturers of machines
and local users. As the story goes, he would order equipment from abroad and
deliver to his clients in Nigeria. However it took up to four months to
complete the process of placing an order, having it delivered to him, and he to
his clients. In the interval there was nothing to do but wait, and there was
little money to spend. In order to survive the wait and lack, he decided to
open a barbing salon, a photocopying centre, a video club, and a photography
studio.
Two decades
later, Studio 24, which took its name from its first address in Kaduna, has
outgrown the vision of its founder and now provides more than basic money. It
has over 10 branches across the country and with the launch of its franchise
scheme in progress, there would be many more in the future. “We have a lot of
demand already,” he said of the franchise scheme during an interview in his
office at Wuse 2. “Apart from the people who are already on our list, we are
going to open it up to the public.”
Despite the
success of the company Mr Oputa is still quick to disclaim the profession that
has made him famous, insisting that he is not a photographer, technically. “I
am in the business of photography,” he said.
Photography, for
which he is most popular, is not all that he does― he is into real estate among
other ventures― but he finds it most profitable. “The business that you get
money from but doesn’t fulfil you cannot be called profitable,” he explained.
“You put a property in the market, people want it, they pay you money for one
year, you wait for another year they pay you money again. So it is not really
fulfilling as a business, it creates naira profit but not fulfilment.”
“With the
photography business,” he said, “you have to think, you have to plan, you have
to engage, you have to keep abreast with competition. So that is very
fulfilling, that’s very profitable.”
It is common
practice in Nigeria that when a man acquires some wealth, he becomes slow in
movement and most notably in speech, a peculiar speech impediment that causes
him to drool over long, boring speeches designed to punish his audience. Mr Oputa
is not given to talking in that manner. His speeches, whether in public or
private, are brief (as at the launch of his flagship store in December 2013)
and fast, perhaps too fast. They seem to be chased by habit into hasty
conclusions, sometimes demanding keen attention to be understood, nonetheless
delightful at all times.
The Pechakucha
Global Night in Abuja, in which he participated in September 2013, was suited
to his method, the idea being to present, in an
informal gathering, an inspirational speech on any chosen subject; the speech illustrated
by 20 slides, 20 seconds per slide put on auto-forward.
Mannerisms
besides, Mr Oputa is indeed a ‘big man’, both in status and well, in stature. Despite
his standing, he is neither intimidating nor condescending. He manages to
remain calm in the fluster of his busy schedule, and humble, too. He grew up in
a home where he said humility was not preached but enforced. “We had a
situation where my parents were bringing people from our villages to go to
school and they would live in our home with us,” he said. “And I as a kid would
think, hey, this is my parents’ house, therefore if there were plates to be
washed, they would wash them and I would watch TV. But I learnt through the
enforcement team that they should watch TV, and I should wash the plates.”
He has imbibed
this principle, saying firmly as though it were his creed: “you must not ever
look down on people who are not as privileged as you are.”
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